VDNVestida de Novia

Fase A · Biblia visual aprobada

El mundo visual de la novela

Los estudios aprobados de personajes y ambientes establecen continuidad antes de producir las ilustraciones de capítulos.

Character reference sheet showing Max in a white linen shirt and charcoal trousers, with guarded and warmer portrait studies.
MaxReferencia de continuidad aprobada
Character reference sheet showing Catalina in an immaculate cream power suit with controlled and angry portrait studies.
CatalinaReferencia de continuidad aprobada
Corrected character reference sheet showing Sofía in a black shirt and distressed jeans, with natural curls and no hair accessory.
SofíaReferencia de continuidad aprobada
Paired character reference showing Tony with a laptop and floral overshirt beside Yulissa with a tablet and plantain chips.
Tony and YulissaReferencia de continuidad aprobada
Environment board showing a rain-wet Zona Colonial street at sunrise with colorful facades, cobblestones, a colmado threshold, and iron balconies.
Zona Colonial, Santo DomingoReferencia de continuidad aprobada
Environment board showing a cold symmetrical glass high-rise interior, reflected skyline, severe conference room, and immaculate bedroom.
New Jersey glass boxReferencia de continuidad aprobada
Environment board showing Hotel San Nicolás as a construction skeleton, moonlit ruins, and a restored limestone courtyard glowing with string lights.
Hotel San NicolásReferencia de continuidad aprobada
Max and Sofía stand close beneath a worn stone arch during a tropical storm, lit by candlelight and blue rain.
Escena de lluviaReferencia de continuidad aprobada
At dawn inside the colmado of Don Ramón, Max holds a tiny coffee while Sofía regards him with sharp amusement from the beverage crates and Don Ramón smiles between them.
Escena de lluviaReferencia de continuidad aprobada
Full-body character reference showing Raúl in a rolled-sleeve blue-gray work shirt, dark work trousers, scuffed boots, and a plain yellow hard hat.
RaúlReferencia de continuidad aprobada
Full-body character reference showing Doña Tata with a tight white bun, floral apron, wooden spoon, and an observant, commanding expression.
Doña TataReferencia de continuidad aprobada
Full-body character reference showing Mateo in a fitted charcoal polo, dark jeans, black dance shoes, and sunglasses held at his side.
Mateo CruzReferencia de continuidad aprobada
Full-body character reference showing Doña Carmen in an indigo house dress and cardigan, standing with a household broom and compact authority.
Doña CarmenReferencia de continuidad aprobada
Full-body character reference showing Giovanni Moretti in a bespoke navy suit, holding dark sunglasses with a still, shrewd expression.
Giovanni MorettiReferencia de continuidad aprobada
A warm, weathered Imprenta Mercedes interior with unmarked offset presses, blank paper stacks, turquoise walls, and Calle Sánchez beyond the open door.
Imprenta MercedesReferencia de continuidad aprobada
A sparse fourth-floor Zona Colonial apartment with a thin bed, plastic table, mismatched chairs, fan, blue water bucket, and late-afternoon light through open shutters.
Apartment 4BReferencia de continuidad aprobada
Plaza de España at blue hour, with the Alcázar de Colón, warm festival lights, an empty wooden dance floor, and the broad stone square.
Plaza de EspañaReferencia de continuidad aprobada
The immaculate Casas del XVI courtyard beyond a heavy wooden gate, with ferns, a stone fountain, patterned tile, timber galleries, and a secluded pool.
Casas del XVIReferencia de continuidad aprobada
The open-shuttered Don Ramón colmado at sunrise, with floor-to-ceiling provisions, blank bottles, plantains, a worn counter, radio, fan, and quiet colonial plaza.
El Colmado Don RamónReferencia de continuidad aprobada
The early Hotel San Nicolás construction courtyard with coral-stone walls, green mesh, scaffolding, wet concrete, white plaster arches revealing gray cinder block, and a locked site container.
Hotel San Nicolás construction siteReferencia de continuidad aprobada
La Cueva dance bar near the Malecón, with a rain-dark street outside, low sweating ceilings, red lights, blank bottles, old speakers, and a crowded bachata floor in silhouette.
La CuevaReferencia de continuidad aprobada
The turquoise Los Prados home of Doña Tata seen through its open gate, with patterned tile, floral furniture, a steaming kitchen, and a backyard table set around a large pot of sancocho.
The House of Doña TataReferencia de continuidad aprobada
Parque Independencia in Santo Domingo with the correct white Altar de la Patria mausoleum, Puerta del Conde, royal palms, shaded benches, and a simple paper food bag.
Parque IndependenciaReferencia de continuidad aprobada
A cold Santo Domingo civil courtroom with tiled floor, dark tropical hardwood, practical air-conditioning, three sharpened pencils at one counsel table, and stacks of blank navy folders across the aisle.
Civil Court of Santo DomingoReferencia de continuidad aprobada